strangers on a train tennis matchmary calderon quintanilla
This is one of Alfred Hitchcock's most complex amd multi-layered films. [4] "Granger is softer and more elusive, more convincing as he tries to slip out of Bruno's conversational web instead of flatly rejecting him. and the other, far distant, makes a choking gesture. Please help this article by looking for better, more reliable sources. The Reviewed in the United Kingdom on July 30, 2017, Reviewed in the United Kingdom on January 26, 2016. I like how he displays paranoia as the killer follows him around. Reviewed in the United States on June 2, 2022. To the man committed to a career in politics, Bruno represents a tempting overthrow of all responsibility. I love Hitchcock but hadn't ever watched this one until the other day, and I was pleasantly surprised in some ways but mostly very disappointed. in front of Guy's house, and he quickly moves behind the gate with Bruno; It's not just a ripping-good thriller but a film student's delight and a perversely enjoyable battle of wits between tennis pro Guy (Farley Granger) and his mysterious, sycophantic admirer, Bruno (Robert Walker), who proposes a "criss-cross" scheme of traded murders. This fear is at the heart of many of The copy is terrific and worth every penny. [6] He added the film in his Great Movies list. The novel has been adapted multiple times, most famously by Alfred Hitchcock in his 1951 film. He is seen carrying a double bass as he climbs onto a train. be accused of a crime he did not commit. Theatrical Trailer (SD; 2:34). With a release scheduled for early summer, the studio press agents swung into high gear early in 1951. with him than with Granger's playboy. I n the latest Oscar Isaac vehicle, Mojave, director William Monaghan recycles the familiar tale of one man's seemingly chance encounter with a menacing stranger - a trope that was perfected more than six decades ago by Alfred Hitchcock in his 1951 masterpiece Strangers on a Train. He told the obscure writer that the famous one hadn't written a solitary line he intended to use, and they would have to start all over on page one, using Cook's treatment as a guide. That carousel scene was not faked! station with a note asking the sergeant to lock him up until called for. While Hitchcock strips out much of the textured sociopathy of Bruno's machinations, Hitchcocks preserves the ripely perverse relationship and its intimacy and murderous expression. Perhaps Bruno thought it would sound more important if he said he'd dropped a case rather than a mere lighter. Strangers On a Train 14+ HD CC Thriller 1 Hour 40 Minutes 1951 4.1 43 Ratings Strange thing about this trip. A very good choice for train food. My mum had said this was a great film, and she was right. frequently use a buried subtext of unstated gay attraction -- as in "The [46], This doubling has some precedent in the novel; but more of it was deliberately added by Hitchcock, "dictated in rapid and inspired profusion to Czenzi Ormonde and Barbara Keon during the last days of script preparation. [13] With treatment in hand, Hitchcock shopped for a screenwriter; he wanted a "name" writer to lend some prestige to the screenplay, but was turned down by eight writers, including John Steinbeck and Thornton Wilder, all of whom thought the story too tawdry and were put off by Highsmith's first-timer status. only the whites of his eyes showing. --Jeff Shannon, Better still, the two-sided DVD edition of this enduring classic includes both the original version of the film and also the longer prerelease British print, which offers a more overt depiction of Bruno's flamboyant and dangerous personality, and his homoerotic attraction to Guy by way of his deviously indecent proposal. With an emphasis on narrative and visual strategy, Hitchcock controls the escalating tension with a master's flair for cinematic design, and the plot (coscripted by Raymond Chandler) is so tightly constructed that you'll be white-knuckled even after multiple viewings. flirtatious and seductive, sitting too close during their first meeting, and Rogers was effectively blind with the glasses on and needed to be guided by the other actors. The only sadistic part was I never got the hundred dollars."[43]. Interesting, in this context, is Hitchcock's casting of his own daughter, Shipping cost, delivery date, and order total (including tax) shown at checkout. There's also the breathtaking runaway merry-go-round ride in the finale, where the operator is shot and the ride keeps going as frantic parents scream and the children hold onto the horses for dear . One gets the feeling of a closeted homosexual constantly coming onto Guy. Strangers on a Train marked something of a renaissance for Hitchcock, after several years of low enthusiasm for his late-1940s output,[25] and he threw himself into the micromanagement of some of its production. Hitchcock also cast Granger in "Rope" (1948), based on the accidental overdose of tranquilizers. Buy it! The 1987 film Throw Momma from the Train by Danny DeVito was inspired by Strangers on a Train, which is also watched by DeVito's character in the film.[71][72]. "[8], Hitchcock took a toy carousel and photographed it blown up by a small charge of explosives. Interesting premise but really poor pacing, Reviewed in the United States on January 5, 2023. As Guy listens with detached amusement, Bruno discusses the theory of \"exchange murders.\" Suppose that Bruno were to murder Guy's wife, and Guy in exchange were to kill Bruno's father? "[22] Robert Burks received the film's sole Academy Award nomination for its black and white photography.[23]. Especially with Bruno, who held the movie together as he did the book." conversational web instead of flatly rejecting him. When Bruno arrives at the amusement park, a carnival worker recognizes him from the night of the murder; he informs the police, who think he has recognized Guy. Great transfer, great black and white contrast. Bruno proposes, "I'll kill yours, you kill mine." Realizing that Guy is not the murderer, the police ask him to come to the station to tie up loose ends. [56] In the book, Bruno dies in a boating accident[56] far removed from a merry-go-round. Is 'Strangers on a Train' based on a book? + a trailer. His gaze falls upon Barbara, whose appearance resembles Miriam's. is this sense of two flawed characters -- one evil, one weak, with an unstated Director Alfred Hitchcock Writers Raymond Chandler (screen play) Czenzi Ormonde (screen play) Whitfield Cook (adaptation) Stars Farley Granger Robert Walker Ruth Roman See production, box office & company info Watch on Prime Video He's endearing and menacing, intimate and unknowable. "[53], Hitchcock continues the interplay of light and dark throughout the film: Guy's bright, light tennis attire, versus "the gothic gloominess of [Bruno's] Arlington mansion";[46] the crosscutting between his game in the sunshine at Forest Hills while Bruno's arm stretches into the dark and debris of the storm drain trying to fish out the cigarette lighter;[54] even a single image where "Walker is photographed in one visually stunning shot as a malignant stain on the purity of the white-marble Jefferson Memorial, as a blot on the order of things. The premise is fascinating because it was far more intricate than I had been led to believe. Reviewed in the United Kingdom on September 7, 2015, Reviewed in the United Kingdom on February 24, 2021, Reviewed in the United Kingdom on May 21, 2021, Learn more how customers reviews work on Amazon, Closed-captioned, NTSC, Full Screen, Black & White, English (Dolby Digital 1.0), Unqualified (DTS ES 6.1), French (Dolby Digital 1.0), Leo G. Carroll, Farley Granger, Hitchcock, Patricia, Lorne, Marion, Roman, Ruth. during an early meeting involving Guy and the senator's whole family; she keeps The first encounter between Bruno and Guy on the train is longer, and features a more obvious homoerotic flirtation by Bruno; In the scene where Guy sneaks out of his apartment to go to Bruno's house, a shot of him opening a drawer to get the map Bruno sketched is added; The very last scene in the US version, which involves a clergyman, was deleted. Guy nervously steps into the shadows with Bruno, literally behind the bars of an iron fence; "You've got me acting like I'm a criminal", he says. In a scene where Guy goes is softer and more elusive, more convincing as he tries to slip out of Bruno's [41] He was also photographed adding the letter L to Strangers on the official studio poster for the film,[26] thus changing the word to Stranglers. [28] Anne reaches for the big phone, but actually answers a regular one: "I did that on one take", Hitchcock explained, "by moving in on Anne so that the big phone went out of the frame as she reached for it. rotate in the same direction -- except one.). What is the climax in Strangers on a Train? [36], Composer Dimitri Tiomkin was Jack Warner's choice to score Strangers on a Train. A psychopath forces a tennis star to comply with his theory that two strangers can get away with murder. DVD Features: . Although Hitchcock "[43] "This was good stuff for press agents paid to stir up thrills and it has been repeated in other books to bolster the idea of Hitchcock's sadism,"[36] but "we were [only] up there two or three minutes at the outside. My father wasn't ever sadistic. The U.S. Senate was busy investigating the suspicion that 'moral perverts' in the government were also undermining national security going so far as to commission a study, Employment of Homosexuals and Other Sex Perverts in Government. Poor unfortunate girl. [42] Hitchcock and Patricia both were afraid of heights, and father offered daughter a hundred dollars to ride the Ferris wheel only to order the power cut, leaving her in the dark at the very top of the ride. "[13], Even before sewing up the rights for the novel, Hitchcock's mind was whirling with ideas about how to adapt it for the screen. Bruno orders with gusto and with an interest in what he is going to eat lamb chops, French fries, and chocolate ice cream. An early preview edit of the film, sometimes labeled the "British" version although it was never released in Britain or anywhere else, includes some scenes either not in, or else different from, the film as released. "[55], Although its first rumblings came in 1947 with the trial and conviction of the "Hollywood Ten," the so-called Red Scare was gathering steam in 1950, with the espionage-related arrests of Julius and Ethel Rosenberg and the trial of Alger Hiss. Anne's sister Barbara says that the police will think that Guy is the murderer since he has a motive. villains, and Hitch agreed with Truffaut that the audience sympathy was more Alfred Hitchcock's cameo appearance occurs 11 minutes into the film. "[59], Conversely, Bosley Crowther of The New York Times criticized the film: "Mr. Hitchcock again is tossing a crazy murder story in the air and trying to con us into thinking that it will stand up without support. 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